Are there critical or theoretical tendencies that this Photography Criticism CyberArchive deliberately includes or excludes?
No. The goal of this CyberArchive is to encompass and represent effectively the entirety of the critical discourse on photography from the medium’s introduction in 1839 onward. No school, movement, or critical theory is omitted purposefully. Any such gap most likely results from one of two causes: either we have not yet identified and contacted the representative authors, or, for various reasons, their material has proved unavailable for incorporation into the archive.
Related Questions
- Are there critical or theoretical tendencies that this Photography Criticism CyberArchive deliberately includes or excludes?
- How does work come under consideration for inclusion in the Photography Criticism CyberArchive?
- Why would material prove unavailable for inclusion in the Photography Criticism CyberArchive?
