fixed lens configuration?
If you are a True Widescreen fan of major motion pictures, a 2.40:1 screen and anamorphic lens are the obvious solution for max performance. The next question is how important smaller format movies and other content are to you. The most common reaction to contemplating a fixed lens solution is that smaller formats like 1.85:1 and 16:9 are shown with a lower number of pixels. It is instantly obvious that with a moveable lens you get it all – full performance for 16:9 AND 2.35:1. For some people this is the holy grail and there is no need to think of other options. On the other hand, you can save both money and complexity of setup by never having to move that lens. If that’s not enough, you should be aware of a few other benefits of a fixed lens.
